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Yes, it's a little shocking-not just because of the sexual innuendo, but also because of the questions it raises about one of rock's greatest icons. "Frutti" was not a random rhyme, but a re-appropriation of the common slang "fruity" that meant, essentially, "gay-acting." The original lyrics, according to Little Richard, went as follows: "A wop bop a loo mop a good goddam, Tutti Frutti, good booty, if it don't fit, don't force it, you can grease it, make it easy."2 Why was the original version such a big problem for the record company? Funny you should ask, because there's a good answer: the song talked about gay sex so explicitly as to be almost pornographic. What the mainstream public saw in 1955, though, was a toned-down version of Richard's original style: a hired writer had rewritten “Tutti Frutti” before Specialty Records recorded it in 1955.
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Even where musical groups were not integrated per se, the popular new genre was associated with rebellion, in part because a lot of young white people listened to it and idolized black singers.
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Frankly, a big part of the shock factor was race: rock and roll was a genre that featured racially integrated musical groups. His in-your-face style, feminine makeup, and primped hair was a shock to many suburban households in the 1950s. Little Richard rocked a pompadour, sexually suggestive dance moves, and hit records even before Elvis Presley's first big song. The song hit the airwaves in 1955, just as the whole new-fangled idea of a type of music called "rock and roll" was starting to dig its heels into popular culture. The story of "Tutti Frutti" is one of the most essential stories in the history of rock and roll.